Mark Ulriksen

Mark March 5, 2015
Mark Ulriksen is a San Francisco-based artist and illustrator whose instantly recognizable portraits and whimsical take on life have led to projects for a variety of major clients. He specializes in figurative work that blends humor and darkness with psychological insight. After initially working for 13 years as a graphic designer and magazine art director, Mark went through a relatively early mid-life crisis and gave up a world of monthly deadlines for a world of weekly ones, pursuing a new career as a freelance illustrator and artist.

His editorial illustration work began in the mid-nineties, and since then his paintings have appeared in many of America’s leading magazines and newspapers. Ulriksen is best known for his work for The New Yorker, where he has been a regular contributor since 1993, with more over 63 magazine covers to his credit. Mark’s varied interests are often the subjects of his acrylic paintings, be they politics or dogs, people or sports. He covered the 2008 Masters for Golf Digest and has created murals for United Airlines and the Chicago Bears that grace the walls of the United Club at Soldier Field. His dog prints adorn the halls of Kaiser Permanente hospitals throughout the San Francisco Bay Area. He is the regular illustrator for the San Francisco Jazz Festival, as well as a children’s book illustrator, and the recipient of numerous awards, including two Gold and Silver medals from the NY Society of Illustrators. His 2006 New Yorker cover parody of the film Brokeback Mountain was named the year’s top magazine news cover by the Magazine Publishers of America. Ulriksen’s work is in the permanent collection of The Smithsonian and the Library of Congress.
His clients include: The New Yorker, Rolling Stone magazine, Time Magazine, Golf Digest, Mastermind Magazine, Kaiser Permanente, United Airlines, The San Francisco Jazz Festival among many others.
You may visit Mark’s website by clicking on the following link:

Mark Ulriksen / The New Yorker / Some Covers

Mark Ulriksen is very well known for his work for The New Yorker, where he has been a regular contributor since 1993, with over 62 magazine covers to his credit. 


NYer- A Walk in the Park

Hot Dogs


















Akiko Stehrenberger


Photograph by Sarah Soquel Morhaim

Akiko Stehrenberger graduated with distinction from the Art Center College of Design with a BFA in Illustration in 2000. She is a multi-award winning movie poster illustrator and designer, who works with directors, movie studios, advertising agencies and brands.

She was handpicked by directors Roman Polanski, Jonathan Glazer, Charlie McDowell, Joe Swanberg, and celebrated by David Lynch, Michael Haneke and more. Her poster for “Bad Milo” was featured on the Conan show, she was deemed “Poster Girl” by Interview magazine in 2011, Creative Review dedicated their January 2011 Monograph to her illustrated movie posters, and Vanity Fair included her “Funny Games” and “Kiss of the Damned” posters in their “Best Movie Posters of All Time” list.

Her clients include: A24, A&E Network, Brothers Marshall, Criterion Collection, FX, IFC Films, Levi’s, Lifetime, Lionsgate, Netflix, The Orchard, Oscilloscope Laboratories, Neon, Prune Nourry Studio, Radius/TWC, Saatchi & Saatchi NY, Sony Pictures, Weiden + Kennedy Amsterdam, Weiden + Kennedy Portland, Willo Perron, and more.

You may visit Akiko’s website by clicking on the following link:

Akiko Stehrenberger/ “It Follows” / David Robert Mitchell


Selected as one of the best movie posters of 2015

Akiko Stehrenberger / “They’re Watching”/ Micah Wright and Jay Lender


Akiko Stehrenberger / “When I Live My Life Over Again” / Robert Edwards


Akiko Stehrenberger / ” The Road To Mandalay” / Midi Z


Akiko Stehrenberger / “Kiss of The Damned” / Xan Cassavetes


In March 2014, Akiko’s Kiss of the Damned poster won Best Movie poster at South by Southwest Festival, the Jury Award for Excellence in Poster Design as well as the Audience Award.

Akiko Stehrenberger / “Spring Breakers” / Harmony Korine


Akiko Stehrenberger / Best Movie Posters of 2014

Akiko’s posters for: Jonathan Glazer “Under the Skin”,” Blue Ruin” directed by Jeremy Saulnier and “The One I Love” directed by Charlie McDowell have been elected best movie posters of 2014.





Akiko Stehrenberger / Ray-Ban / Never Hide


Akiko Stehrenberger / “La Venus à La Fourrure” / Roman Polanski







Akiko Stehrenberger / “La French” / Cédric Jimenez


Akiko Stehrenberger / “Last Days” / Gus Van Sant / A Private Commission


Akiko Stehrenberger / “The Pervert Guide to Ideology”/ Slavoj Zizek


Akiko Stehrenberger / “Her” / Spike Jonze







Akiko Stehrenberger / “The Kids Are All Right” / Lisa Cholodenko


Akiko Stehrenberger / “Surfwise” / Doug Pray


Akiko Stehrenberger / “A Serious Man” / Joel and Ethan Cohen



Akiko Stehrenberger / “Funny Games” / Michael Haneke

Akiko Stehrenberger / “Code Unknown”/ Michael Haneke


Akiko Stehrenberger / “Flight of The Conchords” / HBO


Akiko Stehrenberger / “Les 400 Coups”/ François Truffaut


Akiko Stehrenberger / “Where The Wild Things Are” / Spike Jonze



Akiko Stehrenberger / “Away We Go” / Sam Mendes




Akiko Stehrenberger / “Somewhere” / Sofia Coppola


Chiara Clemente


Chiara grew up between Italy, India, and New York. Her love of capturing people can be traced back to a childhood spent in her father’s studio, watching him paint portrait after portrait. Her love of storytelling was passed down to her from her paternal grandfather, whose bedtime stories first inspired her to create her own narratives. At the age of twelve, she asked for a video camera, started filming everything around her, and realized she wanted to tell stories in a visual way.

Chiara’s career has spanned more than a decade as a director and producer in the realm of documentary, short films, series, branded content, and commercials. She has gained a reputation for depicting intimate and revealing moments with people of many backgrounds – from artists, actors, chefs, and designers to millennials making a mark in the world. Thus far, she has interviewed almost two hundred people, and her passion for “the conversation” has become integral to her filmmaking style.

Her critically acclaimed feature documentary, Our City Dreams, premiered at the prestigious Film Forum in New York City, was screened in more than 30 cities worldwide, and was broadcast on the Sundance Channel. Chiara’s experience interacting with audiences of Our City Dreams enhanced her desire to make work that encouraged people to follow their dreams. Shortly afterwards, she created the Webby Award winning film series Beginnings as well as four seasons of MADE HERE featuring performers such as Bill T.  Jones, Philip Seymour Hoffman, and Cherry Jones. She has collaborated with many brands including Apple, Cotton, Levis, Mercedes-Benz, and Persol.

Most recently Chiara has directed films for Christy Turlington’s foundation Every Mother Counts and Screen Stories, a film inspired by Letters to Andy Warhol that has been part of a world wide traveling exhibition. Her most recent collaboration has been with Artsy on the series Broken Glass: Women in Arts and Tech and the importance of mentorship.Today she is based in New York.

Her client include: Persol, Max Mara, Baccarat, Apple, Cotton, Levi’s, Mercedes-Benz among many others.

Her work has been featured in: The New York Times, The New Yorker,  Elle, Another Magazine, Paper Magazine, Variety, Vogue, V Magazine, Interview magazine, Harpper’s Bazaar, Nowness.

You may visit Chiara’s website by clicking on the following link:

Chiara Clemente / Mercedes-Benz / Sundance Channel / “Beginnings: Paris”

Marjane Satrapi

Sylvia Whitman

Christian Louboutin

Charlotte Gainsbourg

Frédéric Malle

Benno Graziani

Chiara Clemente’s latest series of short documentaries focuses on the beginning of a creative career when everything seems hopeful and possible. The aptly named “Beginnings: Paris,” delves into the creative process and inspirations of five Parisians, including actress-musician Charlotte Gainsbourg, shoe designer Christian Louboutin, perfumer Frédéric Malle, film director and cartoonist Marjane Satrapi, and bookseller of Shakespeare & Co., Sylvia Whitman.

The style of the micro-documentaries is the same. The big names of our time use photos, songs and memories to tell about themselves and answer the most important question of all: how did it all start for them?

Chiara Clemente’s curiosity about the early lives of creative talents began in her own youth as she tiptoed around the paintings in the studio of her father, the artist Francesco Clemente. But instead of paints and canvas, the director decided that she is “a storyteller whose medium is film. “I do documentaries, but I say I do portraits.”

Chiara Clemente / Mercedes-Benz / Sundance Channel / “Beginnings: New York”

Yoko Ono

Carolina Herrera

Mario Sorrenti

Carmen de Lavallade

Mickalene Thomas

BEGINNINGS is a series of short films celebrating creative individuals and their early inspirations in New York City.

Chiara Clemente / “Our City Dreams” / Feature Documentary

“The city in “Our City Dreams” is New York, serving as home base for the five powerhouse femme artists profiled in Chiara Clemente’s exquisitely crafted docu. Chiara Clemente chooses renowned, wildly eclectic creators who span the spectrum in age, provenance and medium, connected to the city through a complex, ever-changing dialectic. Combining formats and textures with a hypnotic, shape-shifting score, pic itself quite simply ranks as a work of art.”” (Variety)

New York City offers inspiration and haven to five female artists in “Our City Dreams,” a lyrical documentary about the intersection of location and imagination.

“I did art because I didn’t want to die,” says the restless painter Ghada Amer, who responds to the repressive culture of her native Egypt with vast embroidered canvases celebrating nakedly intertwined female figures. Less erotic but equally confrontational are the arresting woodcuts of Swoon, whose expressive, full-size portraits of street people are cut laboriously from plywood on the floor of her tiny apartment.

Allotting scrupulously equal time to each of her subjects, the director, Chiara Clemente, makes smooth transitions among styles, mediums and personalities. Beatific sculptures by Kiki Smith give way to painted bloody phalluses by Nancy Spero.

Throughout, the women are encouraged to explore the pull of their adopted city, and watching the Belgrade-born artist Marina Abramovic perform selections from her grueling, gargantuan work “Seven Easy Pieces,” it’s difficult to imagine any space but the Guggenheim as hospitable.

Nevertheless, one of the movie’s liveliest sections follows the limber Ms. Abramovic (possibly the youngest-looking sexagenarian to exist outside of Hollywood) to Phuket, Thailand, to prepare for her post-tsunami piece, “God Punishing.” If I can wield a bullwhip with that degree of enthusiasm when I’m 60, I’ll be a happy woman indeed. ( Jeannette Catsoulis for the New York Times)

Chiara Clemente / Publicis 133 / Atelier Persol / Worlwide Campaign

Chiara Clemente @ H Represents : Atelier Persol : April 2013


Vanina Sorrenti / “Inspiration”

Kolkoz / “Shapes and Design”

Sebastien Tellier / “Structure and Strength”

Robert Montgomery / “Beauty is in the details”

Futura / “Time refines the Artist to help him refine the art”

Mathilde Monnier

To celebrate the artful craft that goes into each pair of Persol, 8 world-renowned artists were invited to a XV century manor in Florence. During their stay, they created works of art and told their story, giving the world a rare glimpse into their minds. Welcome to Atelier Persol directed by Chiara Clemente.

Chiara Clemente / “Ada and Alex”/ Baccarat starring Harcourt / Branded Content


In its around the world journey through time and continents, the iconic Harcourt, has been at the centre of great stories to become a timeless object of desire and prestige for any occasion. From this great source of inspiration, Chiara Clemente, Sonia Sieff, Joséphine de la Baume have created three legendary stories…​

“In portraying Ada and Alex Katz for Baccarat, I wanted to celebrate their love and the way to continuously inspire each other. Like Baccarat, they possess the beauty and the longevity and impeccable precision” Chiara Clemente



Helena Hauss


“What I aim to depict in my body of work, is a time of volatile change and freedom trough rebellion and mischief towards self discovery, on a backdrop of childish innocence and nostalgia. These drawings are about the contrasting pull of innocence and vice and the beauty that comes with a corrupt youth through the sheer will to discover and experience. I especially aim to focus on girlhood, and what it means to become one’s self while refusing to be taimed. In a simple sense, it’s about Bad Girls. It’s about girls refusing to be that pure and unblemished self. It’s about girls with faults. Girls who chose to be what they are and own it. But you have to look closer, to find clues hidden in the details as to what a drawing is really about : from the scars on the fingers of the cheerful girl with a lust for sweets to the Ouija symbols on a shirt, sometimes there may be more than one way to read the same image… 

All of my drawings are done almost exclusively with ballpoint pens, except for yellow color pencils.”

Helena Hauss creates exquisitely crafted and intricate drawings using a ballpoint pen. Her lustrous and hyper-realistic illustrations are at the same time both beautiful and satirical, with a deep-rooted fascination with counter-cultural narratives.

Her clients include: WWD, L’Occitane, Undiz, Saatchi Saatchi London.

Her work has been featured in : Konbini, Juxtapoz, Les Inrocks, Etapes, Buzzfeed, Fubiz, Dangerous Minds, Neon Mag.

You may visit Helena’s website by clicking on the following link:


Helena Hauss / “Mia”/ Ballpoint pen




Helena Hauss / “Snowflakes”/ Ballpoint pen



Helena Hauss / “Laughing Daisies”/ Ballpoint pen


Helena Hauss / WWD / Dior + John Galliano / Fashion Editorial


Helena Hauss / “Midnight Lust”/ Ballpoint pen


Helena Hauss / “Ice Queens”/ Ballpoint pen





Helena Hauss / “The Fight” / Ballpoint Pen