Akiko Stehrenberger


Photograph by Sarah Soquel Morhaim

Akiko is a nine time Key Art / CLIO Award winner, a two time SXSW Best Film Poster Award winner, a Golden Trailer Award winner and an International Epica Award winner. In November 2014, she was invited to do an installation at The Standard Hotel. Her “Bad Milo” poster was featured on the Conan Show, she was handpicked by Roman Polanski for a carte blanche illustrated poster exploration for his latest film, she was the judge of PRINT Magazine’s 2012 Annual Hand Drawn Competition, was a 2012 SXSW panelist for “Art & Advertising : Two Sides of the One Sheet”, was deemed “Poster Girl” by Interview Magazine, Creative Review Magazine dedicated their January 2011 Monograph zine solely to her illustrated movie posters after naming her as “Ones to Watch in 2011”, her work was featured in PRINT Magazine’s “Movie Pictures” article showcasing celebrated modern movie poster designers, her participation in Spain’s Avalon Blu-Ray DVD Artists Series was personally approved and celebrated by directors Michael Haneke and David Lynch, she was grouped into Cole Haan’s 2010 “Inspired Life” fashion story showcasing artists in New York and Los Angeles, and her illustrated poster for “Funny Games” was a Key Art Award finalist for best horror poster, was featured at the Annual Type Convention, and took both #1 spots on The Auteurs Movie Posters of the Decade list, and Australia’s Stale Popcorn Top Posters of the Decade.

You may check out Akiko’s website by clicking on the following link: http://akikomatic.com

Chiara Clemente


Chiara Clemente is a film director who explores identity, cultural contrast, and the creative process. Her love of art can be traced back to a childhood spent tiptoeing around paintings in her father’s studio. After attending film school at Art Center in Pasadena, she directed her first art documentary in 2000 for RAI in Italy. In the following years, Chiara continued to film and collaborate with artists such as Jim Dine, Brice Marden, and Frank Gehry. In 2005, she began filming her first critically-acclaimed documentary, “Our City Dreams”, which followed the lives and work of five contemporary women artists (Nancy Spero, Marina Abramovic, Kiki Smith, Ghada Amer and Swoon) in New York City. Our City Dreams premiered at the prestigious Film Forum in February 2009, screened in more than 30 cities worldwide, and was broadcast on the Sundance Channel.
Shortly after, Chiara directed several short films: “Curiosity” for Saatchi and Saatchi, “Remembering Sprouse” with Louis Vuitton for The New York Times, “Richard Tuttle and Mario Sorrenti” for W Magazine and a series of short portrait pieces for Anthropology.
In 2010 she directed a film for Levi’s initiative “Shape What’s to Come” that premiered at the TED Conference. That same year she wrote and directed: “Beginnings”, an original short film series for the Sundance Channel, which after the Second Season won a Webby Award for Best Doc Series. She also directed the online series Made Here: Performing Artists on Work and Life in New York City, which is now in production for its fourth season.
Recently Chiara has worked with Apple, Wieden + Kennedy Portland,  Persol for Publicis Paris, directed her first music video for Lucy Michelle & The Velvet Lapelles  which was featured on MTV and did two wonderful films for Baccarat and Style.com .


To find out more about Chiara, you may visit her website: http://chiaraclemente.com


Mark Ulriksen

Mark March 5, 2015
Mark Ulriksen is a San Francisco-based artist and illustrator whose instantly recognizable portraits and whimsical take on life have led to projects for a variety of major clients. He specializes in figurative work that blends humor and darkness with psychological insight. After initially working for 13 years as a graphic designer and magazine art director, Mark went through a relatively early mid-life crisis and gave up a world of monthly deadlines for a world of weekly ones, pursuing a new career as a freelance illustrator and artist.

His editorial illustration work began in the mid-nineties, and since then his paintings have appeared in many of America’s leading magazines and newspapers. Ulriksen is best known for his work for The New Yorker, where he has been a regular contributor since 1993, with more over 63 magazine covers to his credit. Mark’s varied interests are often the subjects of his acrylic paintings, be they politics or dogs, people or sports. He covered the 2008 Masters for Golf Digest and has created murals for United Airlines and the Chicago Bears that grace the walls of the United Club at Soldier Field. His dog prints adorn the halls of Kaiser Permanente hospitals throughout the San Francisco Bay Area. He is the regular illustrator for the San Francisco Jazz Festival, as well as a children’s book illustrator, and the recipient of numerous awards, including two Gold and Silver medals from the NY Society of Illustrators. His 2006 New Yorker cover parody of the film Brokeback Mountain was named the year’s top magazine news cover by the Magazine Publishers of America. Ulriksen’s work is in the permanent collection of The Smithsonian and the Library of Congress.
You may check out Mark’s website by clicking on the following link: http://www.markulriksen.com

Helena Hauss


Innocence Lost 

What I aim to depict in my body of work, is a time of volatile change and freedom trough rebellion and mischief towards self discovery, on a backdrop of childish innocence and nostalgia. These drawings are about the contrasting pull of innocence and vice and the beauty that comes with a corrupt youth through the sheer will to discover and experience. I especially aim to focus on girlhood, and what it means to become one’s self while refusing to be taimed. In a simple sense, it’s about Bad Girls. It’s about girls refusing to be that pure and unblemished self. It’s about girls with faults. Girls who chose to be what they are and own it. But you have to look closer, to find clues hidden in the details as to what a drawing is really about : from the scars on the fingers of the cheerful girl with a lust for sweets to the Ouija symbols on a shirt, sometimes there may be more than one way to read the same image…

And even in the dark, they might light up.

All of my drawings are done almost exclusively with ballpoint pens, except for yellow color pencils.

I first started drawing with ballpoint pens in high school, when I kept a diary which would last more than a decade. In class I would write a lot in that diary, as well as draw, and using ballpoint pens was the best way to be discreet and keep the teachers at bay.

All of my drawings are inspired from my real life experiences and memories.

You may check out Helena’s website by clicking on the following link: http://www.helenahauss.net