Helena Hauss

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“What I aim to depict in my body of work, is a time of volatile change and freedom trough rebellion and mischief towards self discovery, on a backdrop of childish innocence and nostalgia. These drawings are about the contrasting pull of innocence and vice and the beauty that comes with a corrupt youth through the sheer will to discover and experience. I especially aim to focus on girlhood, and what it means to become one’s self while refusing to be taimed. In a simple sense, it’s about Bad Girls. It’s about girls refusing to be that pure and unblemished self. It’s about girls with faults. Girls who chose to be what they are and own it. But you have to look closer, to find clues hidden in the details as to what a drawing is really about : from the scars on the fingers of the cheerful girl with a lust for sweets to the Ouija symbols on a shirt, sometimes there may be more than one way to read the same image… 

All of my drawings are done almost exclusively with ballpoint pens, except for yellow color pencils.”

Helena Hauss creates exquisitely crafted and intricate drawings using a ballpoint pen. Her lustrous and hyper-realistic illustrations are at the same time both beautiful and satirical, with a deep-rooted fascination with counter-cultural narratives.

Her clients include: WWD, L’Occitane, Undiz, Saatchi Saatchi London.

Her work has been featured in : Konbini, Juxtapoz, Les Inrocks, Etapes, Buzzfeed, Fubiz, Dangerous Minds, Neon Mag.

You may visit Helena’s website by clicking on the following link: http://www.helenahauss.net

 


Helena Hauss / “Mia”/ Ballpoint pen

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Helena Hauss / “Seven Minutes In Heaven” / Ballpoint pen


Helena Hauss / “Snowflakes”/ Ballpoint pen

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Helena Hauss / “Laughing Daisies”/ Ballpoint pen

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Helena Hauss / “In Girls We Trust” / Ballpoint pen


Helena Hauss / “The Sleepover” / Ballpoint pen and Phosphorescent paint